Lately I’ve been feeling a bit flat with regards my web design work. I look at it and think “Meh”. This was compounded when a well known Web Designer took one look and said “Sorry, not good enough”.
To say that comment has been on my mind is an understatement, it’s been like a noose around his neck. The Designer in question is well respected and knows–his–shit. So I’m setting myself a side project. I’m calling this project “Progression”. Obvious I know but that’s not the point.
The point is I have to improve my skills as a web designer. I am not progressing as I should be. My portfolio of work is not bad but it all feels very safe. That’s not good enough, not today. Just a quick look on Dribbble is all you need to know that competition is fierce, it’s eat or be eaten my friends. Besides I have no other option, I am in this profession for the long haul.
My plan with this project is to tackle design styles and problems that are outside my comfort zone. The goal: to see what new skills I can learn and to see what new styles I can produce. I’ll be using this Blog, Dribbble and Behance to log my efforts.
With that in mind all that’s left to say is, “onwards and upwards”.
Why I gravitate towards classical typefaces I have no idea, but Plantin has grabbed my attention recently.
Plantin is not that well known and deserves to be used more. It is a true hidden gem that I’ve only just discovered following the redesign of Weightshift. I loved this design, Naz Hamid has serious design skills. I took a look under the hood and discovered Plantin.
When you begin to use a new typeface it’s good advice to try and understand what it’s unique characteristics are. What follows is my attempt to get a handle on the nuances of Plantin and try to understand why this typeface has grabbed me. But first a little history.
A little bit of history
Plantin was designed for the Monotype Corporation in the early 1900s, It is named after the sixteenth-century Antwerp printer Christophe Plantin (that’s him above).
Although not based directly on his work, the model for Plantin was taken from the huge collection of type Plantin had procured.
With its serious tone, narrow width, and large x-height, Plantin has definite merit as an alternative to Times New Roman. In fact Plantin was used as a reference during the cutting of that very Typeface.
That lovely italic
Plantin is an old-style beautifully designed Typeface. It has more character than most serifs and this is why I like it. It has a certain charm and the italics are really beautiful.
Another plus: Plantin is exceptionally legible and elicits a classic, elegant tone. The Monocole magazine & website uses Plantin to great effect and it forms an important part of their brand.
To wrap up
In my opinion Plantin is a confident, beautiful Font and like Helvetica & Futura before I am all over this Typeface. If you are looking to add a confident, permanent look to your design Plantin is a great choice for your project.
Big news: My time at Muzu is to end. I’m returning to Freelance.
I say returning but my first stint lasted a week. Back then I was determined to give it a go but a job offer landed in my lap which I felt I could not turn down. It’s not everyday you get the chance to be part of a full site overhaul. So I took the job — which has now come to an end.
So I’m back where I was last May but a little wiser and financially better off. I’m determined again to give Freelancing all I’ve got. Excited — Yes. Nervous — ABSOLUTELY! But I need to do this. The worst that can happen, I go back working for the man. That’s not that bad.
I finish full-time at Muzu before Christmas. The reason I’m putting the word out now is I need to get the message out that I am available for work. I design and build websites. I now need to let people know.
I haven’t got it all figured out yet and that’s exciting. But if you’re looking for a website designer or front-end developer from January onwards drop me an email.
Last weekend I took part in 24 The Web. A competition to build a website for charity in 24 hours.
The competition set 3 teams against one another. Each team was paired with a charity and tasked with building a rock solid, fully functioning, CMS driven website which would help them achieve their goals.
Somehow by the end of 24 hours we had the website together. It was not perfect and everything did not make the final-cut but what we had was a fully functioning website. And one which was a big improvement over the existing one.
The way the website came together in the last hour was unbelievable. Hats off to the rest of Team A who had to take what I handed over and breathe life in to the flat designs — true Rockstars. Thank you for being so patient while I got the design together.
I feel very lucky to have been apart of 24 The Web. The experience was both humbling and enlightening. A special thanks to Stewart and Daragh for organising such an event and who stayed up all night blogging, tweeting and conducting food runs.These guys are modern day web heroes.
Every designer has a method they use to create. This week for a bit of fun I took part in Illustration Friday. A weekly design exercise with no creative restrictions.
But how do you begin a project which has no creative restrictions? Where do the ideas come from? This is what I want to share. How I get started generating ideas.
To get the creative juices flowing I use mind maps. Mind maps are a kind of brain-dump of thoughts relating to the project at hand.
Simply put, it is word association. These words can be tightly related or abstract and loose. It really doesn’t matter. The goal is to explore many different directions quickly.
Exploring concepts before you begin to design is very important. This helps you uncover ideas which were not obvious at the start. And this is exactly what mind maps are great for.
My “Racing” Mind Map
Lets take a look at the mind map I used for this weeks Illustration Friday topic “Racing”.
I began my mind map by writing the word Racing. I circle it. I then write down any word I can think off that relates to racing. These words can come after some research or simply whatever thought pops in to your mind.
At this point there are no good or bad ideas. In fact the more bad ideas the better.
Notice the highlighting. If I add a word I think has potential I highlight it. This helps me focus on the stronger ideas.
You can see that from “Racing” I jumped to “Cars” which lead to “Formula 1” which lead to “Grand Prix Motor Racing 20s, 30s”. And this was the concept I choose to base the photo illustration on.
These words are here to provide the reader with a basic impression of how actual text will appear in its final presentation. Think of them merely as actors on a paper stage, in a performance devoid of content yet rich in form.